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A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The piece performed here is entitled "Mei Hua San Nong"《梅花三弄》(Three Repetitions of "Plum Blossoms"). Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《梅花三弄》 More information: 🤍 🤍 🤍 🤍 🤍
北管，為17世紀~20世紀中葉台灣與閩南兩地區流傳廣遠的傳統音樂及戲曲，在傳統的農業社會中，深受歡迎，可以說是台灣早期的『流行音樂』。 北管所涵蓋的範圍非常地廣，目前一般較被接受的說法是，早期從福建及廣東等地傳入台灣的非閩客系統音樂聲腔及戲曲，都被歸入北管的範圍，有別於『閩南土腔』的南管和客家戲曲。 多用於迎春、迎神、廟會、新居落成、婚禮、壽慶等，非常熱鬧，因為主要的樂器有嗩吶、椰胡、鑼、鼓等，有時在路上亦常可聽到與看到。像過新年時演奏的「天官賜福」、「新年吹春」、娶新娘時吹的「八音」、「醉扶登樓」；新居落成時的「祝喜」、「鬧廳」；祝壽時的「福祿壽全」、「百家春」；廟會時的「醉八仙」、「遊將令等」，真是曲牌眾多，不勝枚舉。 北管包含了音樂以及戲曲兩種類型，台灣的北管戲，根據一些研究者的說法可以分為『四平』和『亂談』兩個劇種，但是因為四平戲很早以前就已經失傳了，所以現在提到北管戲，通常指的是『亂彈戲』。 『亂彈戲』又有兩大系統：『福路』與『西路』。『福路』屬於老梆子腔系統的聲腔，因為比較早傳入台灣，所以又稱『舊路』，信奉的戲神多為西秦王爺；西路屬於皮黃腔、吹撥腔的系統，又叫做『新路』信奉的戲神則為田都元帥。這兩個系統的最大差別，在於唱腔不同。 福路的領奏樂器是椰子殼作成的『殼仔弦』（又叫做椰胡、提弦），常用的唱腔有平板、二凡、緊中慢、慢中緊等，旋律聽起來比較激昂；而西路的領奏樂器則是以桂竹筒製成的『吊規仔』（也就是京胡）常用的唱腔有西皮、二黃、緊跺子、慢跺子等，旋律較福路平緩些，但是因為用吊規仔伴奏，唱腔又和京劇有些接近，許多對北管較陌生的人第一次聽到都會以為是在演唱京劇。 * 「轎前鼓」又有人稱為「弄破鼎」，通常在台灣南部較為常見，尤其是在曾文溪流域一帶，以麻豆最為盛行，最早可能起源於傳統宋江陣的鑼鼓。 由於宋江陣屬於武陣，其鑼鼓節奏較快，敲打起來有如千軍萬馬奔馳在前，尤其當「轎前鼓」配合著武轎神輿出巡繞境的時候，在節奏的搭配之下，乘坐在神轎上的武將各個虎虎生風、威風凜凜，好不神氣。 Beiguan is a type of traditional music, melody and theatrical performance between the 17th and mid-20th centuries. It was widespread in Zhangzhou (the southern part of China's Fujian province) and Taiwan. By the early 21st century its popularity had declined precipitously. Beiguan usually uses the following instruments: two suona (oboes), bangzi (woodblock), daluo (large bossed gong), xiaoluo (small gong), bangu (high-pitched drum), tonggu (small drum), xiaobo (small cymbals), and dabo (large cymbals). It may also use dagu (large drum), various huqin, and plucked instruments.
Enjoying the sounds originated by the folkloric instruments in the streets of Keelung in Taiwan.
((( Milestone ))) 1st Million Visitor in 2020/08/07 北管，為17世紀~20世紀中葉台灣與閩南兩地區流傳廣遠的傳統音樂及戲曲，在傳統的農業社會中，深受歡迎，可以說是台灣早期的『流行音樂』。 北管所涵蓋的範圍非常地廣，目前一般較被接受的說法是，早期從福建及廣東等地傳入台灣的非閩客系統音樂聲腔及戲曲，都被歸入北管的範圍，有別於『閩南土腔』的南管和客家戲曲。 多用於迎春、迎神、廟會、新居落成、婚禮、壽慶等，非常熱鬧，因為主要的樂器有嗩吶、椰胡、鑼、鼓等，有時在路上亦常可聽到與看到。像過新年時演奏的「天官賜福」、「新年吹春」、娶新娘時吹的「八音」、「醉扶登樓」；新居落成時的「祝喜」、「鬧廳」；祝壽時的「福祿壽全」、「百家春」；廟會時的「醉八仙」、「遊將令等」，真是曲牌眾多，不勝枚舉。 北管包含了音樂以及戲曲兩種類型，台灣的北管戲，根據一些研究者的說法可以分為『四平』和『亂談』兩個劇種，但是因為四平戲很早以前就已經失傳了，所以現在提到北管戲，通常指的是『亂彈戲』。 『亂彈戲』又有兩大系統：『福路』與『西路』。『福路』屬於老梆子腔系統的聲腔，因為比較早傳入台灣，所以又稱『舊路』，信奉的戲神多為西秦王爺；西路屬於皮黃腔、吹撥腔的系統，又叫做『新路』信奉的戲神則為田都元帥。這兩個系統的最大差別，在於唱腔不同。 福路的領奏樂器是椰子殼作成的『殼仔弦』（又叫做椰胡、提弦），常用的唱腔有平板、二凡、緊中慢、慢中緊等，旋律聽起來比較激昂；而西路的領奏樂器則是以桂竹筒製成的『吊規仔』（也就是京胡）常用的唱腔有西皮、二黃、緊跺子、慢跺子等，旋律較福路平緩些，但是因為用吊規仔伴奏，唱腔又和京劇有些接近，許多對北管較陌生的人第一次聽到都會以為是在演唱京劇。 《天官賜福》 劇情描述，賜福天官率領天上諸星君，下凡賜福人間樂善好施之家，以彰積德之報。表演內容為值年、值月、值日、值時公曹出台，恭侯天官降臨，天官出場謂其掌人間福祿，今奉玉旨率領眾星君下凡賜福樂善好施之士，後老人星、天祿星、月德張仙、天喜星、牛郎星、織女星出場，與天官駕祥雲下凡賜福。老人星賜其福壽綿長；天祿星掌理人間祿爵，特來獻富貴萬年春；月德張仙送麒麟兒願其瓜瓞綿綿；天喜星賜其喜事重重，滿門喜慶；牛郎星則賜五穀豐登，織女星獻天絲願其彩帛豐盈。之後魁星、財神象徵功名成就、財源廣進。賜福完畢一同拜壽後，眾星君各歸天曹。 北管戲《天官賜福》與京劇《天官賜福》內容雷同。 Beiguan is a type of traditional music, melody and theatrical performance between the 17th and mid-20th centuries. It was widespread in Zhangzhou (the southern part of China's Fujian province) and Taiwan. By the early 21st century its popularity had declined precipitously. Beiguan usually uses the following instruments: two suona (oboes), bangzi (woodblock), daluo (large bossed gong), xiaoluo (small gong), bangu (high-pitched drum), tonggu (small drum), xiaobo (small cymbals), and dabo (large cymbals). It may also use dagu (large drum), various huqin, and plucked instruments. #北管 #百萬點閱金曲
Beiguan is a traditional music and opera that has been widely circulated in Taiwan between the 17th and mid-20th centuries.
A performance of "Si Da Jing"《四大景》, a song in the repertoire of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China. The name of the lead singer and the name of the ensemble are, unfortunately, unknown. The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. Probably filmed at an outdoor performance as part of a Lunar New Year celebration in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, c. February 24, 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 2015新春北管演出 More information: 🤍 🤍 🤍 🤍 🤍 🤍 🤍
#亂彈嬌北管劇團 #人間國寶邱火榮 #北管Beiguan 邱火榮Chiu, Huo-Jung 文化部授證人間國寶 · 國家非物質文化遺產（北管音樂）保存者 -唯一吹、拉、彈、打無一不精的後場藝師 -有戲曲界「八隻交椅坐透透」的讚譽 -投入戲曲舞台逾一甲子 -國內僅見跨京劇、亂彈、布袋戲、歌仔戲等劇種的第一人 ………………………………………… 2006邱婷為鼓勵年輕世代繼續傳承北管，製作了《北管e世代》。 其父親-人間國寶邱火榮帶領「亂彈嬌北管劇團」六、七年級的e世代樂師同台演出。 演出結束，台下觀眾高呼安可，當時73高齡的邱火榮老師興起， 再登台用嗩吶演奏《草蜢弄雞公》，觀眾掌聲如雷。 此為館方基礎錄影，影像不甚理想，請諒涵！ ………………………………………… 2006《北管e世代》 製作主持：邱 婷 音樂指導：邱火榮 演 出：亂彈嬌北管劇團（e團） 錄製日期：2006.10.07（六） 演出地點：台北國家演奏廳 歡迎關注乾坤劇坊 · 人間國寶邱火榮教學系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
BSc Music of Pak-Kuan (Beiguan music)-Graduation concert Vocal: Yueh, Hsu
#北管Beiguan #鑼鼓樂 #汐止崇德國小XiZhiChongDeElementary School 北管鑼鼓樂《蝴蝶雙飛》，亦稱《雙尾蛾》，樂曲以打擊樂器鑼、鈸（鈔）、扁鼓、及扣仔（梆子）的靈巧的聲響刻畫雙蝶嬉舞的趣味，意象鮮明。有別於普遍漢族鑼鼓樂多以吹打樂、戲曲舞台身段或民俗舞蹈伴奏的形式呈現，《蝴蝶雙飛》是少數純粹作為獨立演奏樂曲的傳統鑼鼓樂。 1991邱婷應臺北市立國樂團團長陳澄雄先生委託 策畫製作八十年台北市傳統藝術季 · 拾伍《兩岸奇葩北管樂》 ……………………………… 演 出：汐止崇德國小 製 作 人：邱 婷 音樂指導：邱火榮 製 作：亂彈嬌北管劇團 演出日期：1991.3.31（日） 演出地點：台北市社教館 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
#邱婷聲聲世世 #2016傳藝金曲獎 #北管Beiguan 邱婷Chiu, Ting -出身北管亂彈世家 -人間國寶邱火榮及潘玉嬌之女 -亂彈嬌北管劇團 · 製作人 ………………………………….. 《秦瓊倒銅旗》是台灣亂彈中一齣花雅兼蓄、板腔與曲牌混唱的戲， 正是戲曲發展史上亂彈與崑腔「兩下鍋」的史實。 製作人邱婷從其父祖及自身的調查研究得知， 此戲早在傳入台灣前即以崑曲聯套的形式演出， 場面火熾、聲勢浩大，甚至連道教正一派的科儀 「禁壇」都以此作為五方結界的主軸。 《倒旗》屬嗩吶吹唱套曲，共四支曲牌，〈喜遷鶯〉為其二。 曲譜為人間國寶邱火榮所傳。 ………………………………………… 《山河氣韻 · 聲聲世世》雙CD專輯 Voices of Bei-Guan Opera in Taiwan 2016榮獲傳藝金曲獎 · 最佳傳統音樂專輯獎 LIVE · 未經重製的現場演唱 壹、北管亂彈 貳、璀璨花部 北管 · 倒旗套曲 製作演唱：邱 婷 嗩 吶：鄭榮興 司 鼓：蔡晏榕 後 場：苗栗陳家班北管八音團 錄製時間：2015.7.5（日） 晚上7:30 演出地點：台北市台泥大樓士敏廳 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 版權所有 欲購完整演出CD，請私訊「邱婷戲話」臉書專頁 🤍
《北管印象》 作曲｜王乙聿 指揮｜劉江濱 場次｜2014竹塹國樂節－樂動新竹 日期｜2014.07.05 地點｜新竹市文化局演藝廳 本曲為2014年由新竹青年國樂團「竹塹國樂節開幕音樂會」委託創作。 作曲者採集臺灣家鄉每逄過年過節、神明聖誕遶境時，穿梭在巷弄間的北管音樂作為創作素材。回想兒時爺爺（王屘老先生）曾是三峽的民間北管藝人，縈繞在腦海裡的熱鬧遶境場景，感受鄉民互換香火的熱情與虔誠。那迴盪在人群間的澎湃樂音，是記憶裡爺爺的聲音；與三五好友一同在家切磋北管音樂，無師自通的製作樂器，讓疼愛的小孫子在身旁邊看、邊學、邊玩耍，是記憶裡爺爺的身影。爺爺曾說，在他離開人世前會製作一把他最滿意的琴送給作者當作傳家寶，無奈離別總是在不該來的時候發生，這份承諾只好永速封存於記憶中。每逢年節神明遶境換香的習俗對作曲音來說，象徵新的開始，鄉民傳承的香火與神明慈悲的祝福，為家鄉帶來整年的豐收、平安與快樂。作者謹以此曲獻給爺爺（王屘老先生），以及每一位誠心祈求幸福的人們。 “Memories of Beiguan Music” Composer｜Wang Yi-Yu Conductor｜Liu Chiang-Pin Concert｜2014 Hsinchu Chinese Music Festival – Musicking 🤍Hsinchu Date｜2014.07.05 Venue｜Hsinchu Performing Arts Center, Taiwan This composition was commissioned by the Hsinchu Youth Chinese Orchestra for the Opening Concert for the 2014 Hsinchu Chinese Music Festival. The composer collected the music materials that Beiguan musicians from his hometown played while they traveled through streets and alleys with religious processions during the festive seasons as his inspiration. The music represents his nostalgic childhood memories of his grandfather Wang Man, a local Beiguan musician in Sanxia. For the composer, the religious processions during the Spring Festival symbolize a new beginning, the passing down of cultural heritage, and the mercy and blessings from above. The composition is dedicated to his grandfather Wang Man and whoever prays sincerely for happiness. Translation Source: Album "Holy Pilgrimage" published by TCO 這是台灣「新竹青年國樂團」的演奏，歡迎訂閱我們的YouTube頻道觀賞更多的影片。 This is the performance by “Hsinchu City Youth Chinese Orchestra”, Taiwan. Join us and subscribe for more videos. 🤍 ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook: 🤍 Instagram: 🤍 #北管印象 #王乙聿 #HCYCO #2014竹塹國樂節
#人間國寶邱火榮 #嗩吶技法 #北管教學Beiguan 邱火榮 / Chiu, Huo-Jung Major figure of Beiguan, was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with his significant achievements and influences in Beiguan (Xiqu戲曲) music preservations, performances and education since the mid-twentieth century. 文化部授證人間國寶 · 國家非物質文化遺產（北管音樂）保存者 -唯一吹、拉、彈、打無一不精的後場藝師 -有戲曲界「八隻交椅坐透透」的讚譽 -投入戲曲舞台逾一甲子 -國內僅見跨京劇、亂彈、布袋戲、歌仔戲等劇種的第一人 ………………………………….. 【人間國寶邱火榮 · 北管教學特輯】嗩吶技法運用介紹 為因應北管戲曲舞台需要，嗩吶樂師須擅於模仿五鼓雞鳴、嬰孩哭聲、馬嘶聲、鳥鳴等特殊吹奏技巧。其效果及逼真性有賴於樂師對演奏技法的掌握、揣摩能力，以及經驗的積累。 ………………………………….. 影音選自《北管牌子音樂曲集》 指 導：行政院文化建設委員會 出 版 者：國立傳統藝術中心籌備處 編 著 者：邱火榮 · 邱 婷 執行製作：亂彈嬌北管劇團 出版日期：2000年12月25日 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
Composed by CHUNG YIU-KWONG National Symphony Orchestra conducted by CHENG LI-PIN 作曲：鍾耀光 指揮：鄭立彬 國家交響樂團 Chung's Website: 🤍yiukwongchung.com
#亂彈嬌北管劇團 #亂彈Luantan #黃鶴樓 潘玉嬌 / 文化部授證人間國寶 · 國家非物質文化遺產（亂彈戲）保存者 Pan, Yu-Chiao, notable Luantan Opera artist, being honored as Luan Tan Jiao (亂彈嬌), exclusively known for her young male lead roles (xiao sheng小生). Pan was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with her significant achievements and influences in Luantan Opera (Xiqu戲曲) preservations, performances and education since the mid-twentieth century. ……………………………… 中華民國七十九年文藝季 亂彈嬌北管劇團 · 北管戲公演《黃鶴樓》 ……………………………… 周 瑜：潘玉嬌 張 飛：陳玉平 黃 蓋：吳丁財 甘 寧：王慶芳 製 作 人：邱 婷 音樂指導：邱火榮 武場領奏：邱火榮 文場領奏：鄭榮興 製作演出：亂彈嬌北管劇團 舞臺設計：吳國清 演出日期：1990.11.21-22（三、四） 演出地點：臺北市國軍文藝活動中心 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
#人間國寶邱火榮 #北管牌子 #北管教學Beiguan 邱火榮 / Chiu, Huo-Jung Major figure of Beiguan, was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with his significant achievements and influences in Beiguan (Xiqu戲曲) music preservations, performances and education since the mid-twentieth century. 文化部授證人間國寶 · 國家非物質文化遺產（北管音樂）保存者 -唯一吹、拉、彈、打無一不精的後場藝師 -有戲曲界「八隻交椅坐透透」的讚譽 -投入戲曲舞台逾一甲子 -國內僅見跨京劇、亂彈、布袋戲、歌仔戲等劇種的第一人 ………………………………….. 【人間國寶邱火榮 · 牌子教學】古路/大瓶爵介紹 北管嗩吶曲牌，凡用於戲曲舞台者，皆可用於排場演奏， 但一般演奏的曲牌不可任意用於戲齣。北管人都以「宮」， 又稱「間」作為曲牌單位，其體裁有聯套、單曲聯章、支曲等。 【大瓶爵】是北管戲中皇帝出京或打獵時使用的曲牌，如《困河東》戲齣。 囿於本土藝人的書寫能力，在曲譜流傳過程中，【大瓶爵】及許多曲牌名 漸以台語諧音字代替，以訛傳訛，以至於民間的曲牌名未能統一， 又有書寫成【大班足】、【大班祝】或【大瓶祝】，同音異字的情況十分普遍。 北管古路及新路皆有【大瓶爵】，屬單曲聯章體裁， 由三個樂段組成，即母身、清、讚，如母帶子，北管人稱「三條宮」。 示範選段為古路【大瓶爵】母身〔大瓶爵〕。 ………………………………….. 影音選自《北管牌子音樂曲集》 指 導：行政院文化建設委員會 出 版 者：國立傳統藝術中心籌備處 編 著 者：邱火榮 · 邱 婷 執行製作：亂彈嬌北管劇團 出版日期：2000年12月25日 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
說明
A performance of "Liu Chuan"《六串》, a piece from the repertoire of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China. The senior beiguan master, who plays guban (鼓板, drum and clapper) and sings the gongche notation (Chinese: gongche pu, 工尺谱) syllables in this video, is Mr. Lian Yubi (连瑜碧, b. 1932), who holds the status of Municipal-Level Representative Transmitter of the Municipal-Level Intangible Cultural Heritage item of Quanzhou beiguan (市级非物质文化遗产项目泉州北管代表性传承人). The names of the other musicians are, unfortunately, unknown. Probably filmed in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, c. March 15, 2015. The exact location of filming is unknown. The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). More about Lian Yubi: 3、连瑜碧(市级) 福建省 泉州市 泉港区 【栏目名称】泉州北管代表性传承人 【语 种】中文 【页 码】251 【正文快照】 1932年11月出生,初中文化,前黄坝头北管乐社社长。1949年学艺,1964年后传教北管。以演奏京胡擯长,北管赴省、市及国际文化交流活动,他是乐队的重要角色,并热心北管曲牌、采集和历史研宄等工作。2009年5月,公布为第二批市级非物质文化遗产项目泉州北管代表性传承人。 【条目出处】 泉港年鉴, 2016 【出 版 者】 海峡出版发行集团海峡书局 【责任说明】林进辉 主编 【主编单位】泉港区地方志编纂委员会 泉州北管传承人连瑜碧传唱工尺谱《六串》 More information: http://61.155.110.226:8181/KCMS/detail/detail.aspx?filename=N2018110261001794&dbcode=CYFD&dbname=CYFD 🤍 🤍 🤍 🤍 🤍 🤍 🤍
#人間國寶潘玉嬌 #亂團嬌北管劇團 #亂彈Luantan 潘玉嬌 / 文化部授證人間國寶 · 國家非物質文化遺產（亂彈戲）保存者 Pan, Yu-Chiao, notable Luantan Opera artist, being honored as Luan Tan Jiao (亂彈嬌), exclusively known for her young male lead roles (xiao sheng小生). Pan was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with her significant achievements and influences in Luantan Opera (Xiqu戲曲) preservations, performances and education since the mid-twentieth century. ……………………………… 新路 · 皮黃腔系《南天門 · 走雪》介紹 《南天門》為土地公成道的傳說，敘述其生前為官宦之管家曹福，因主人受魏忠賢所害全家受牽連，被迫帶著小姐曹玉蓮逃亡前往夫家投親，途中，主僕二人又飢又寒，在自身難保陷入逃亡及捨衣之兩難下，最後…終捨身取義。《南天門 · 走雪》屬新路皮黃腔系，涵蓋了西皮中的原板、刀子、搖板、散板等板式。此音樂會為《南天門 · 走雪》選段演唱，非全本完整呈現。 1991邱婷應臺北市立國樂團團長陳澄雄先生委託 策畫製作八十年台北市傳統藝術季 · 拾伍《兩岸奇葩北管樂》 ……………………………… 司 鼓：邱火榮 弦 吹：鄭榮興 · 劉亦萬 演 唱：潘玉嬌（小旦 / 曹玉蓮） 朱清松（老生 / 曹 福） 製 作：亂彈嬌北管劇團 演出日期：1991.3.31（日） 演出地點：台北市社教館 歡迎關注乾坤劇坊【人間國寶邱火榮 · 北管教學】系列影音 🤍 版權所有 「邱婷戲話」臉書專頁 🤍
La première rencontre avec le beiguan se fait souvent aux abord des temples où l'on voit et surtout entend toute une procession composée de petites camionnettes bleues où on pris place des musiciens frappant à toute force sur des gong et des joueurs de suona qui s'époumonent à tirer de leur instrument des sons stridents relayés par des baffles grésillantes... Ce genre de musique est bien de la musique beiguan mais en fait il ne s'agit que d'une petite partie de l'opéra beiguan. S'il arrive fréquemment de voir de l'opéra taïwanais, cela devient extrêmement rare de voir de l'opéra beiguan à Taïwan. Pour tout vous dire depuis 15 ans que je fréquente Taïwan, j'ai dû en voir une seule fois et encore par hasard et peut-être ne savais-je pas que s'en était. Il est temps pour nous de tout savoir sur la musique et le théâtre chanté beiguan.
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Xing Ban"《行板》 ● "Ping Ban"《平板》 ● "Ping Ban Wei"《平板尾》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《行板》《平板》《平板尾》 More information: 🤍 🤍 🤍 🤍 🤍
Beiguan folk music is a type of traditional music, melody and theatrical performance popular in China's southeast area. Follow the video to learn about this beautiful traditional music with the artist Liu Zongxun from Quanzhou, Fujian province.
#人間國寶邱火榮 #工尺譜 #北管教學Beiguan 邱火榮 / Chiu, Huo-Jung Major figure of Beiguan, was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with his significant achievements and influences in Beiguan (Xiqu戲曲) music preservations, performances and education since the mid-twentieth century. 文化部授證人間國寶 · 國家非物質文化遺產（北管音樂）保存者 -唯一吹、拉、彈、打無一不精的後場藝師 -有戲曲界「八隻交椅坐透透」的讚譽 -投入戲曲舞台逾一甲子 -國內僅見跨京劇、亂彈、布袋戲、歌仔戲等劇種的第一人 ………………………………….. 【人間國寶邱火榮 · 北管教學特輯】唱腔工尺譜板式介紹 臺灣北管唱腔工尺譜在過去相當罕見，因涉及戲台上的表演，內容涵蓋板式、唱詞、鼓介、口白，有的對唱部分還得交代不同行當轉換等，較為複雜。其工尺音階記號，與牌子譜、串仔譜相同，運用上也有彈性，主要記錄規範唱腔與伴奏的進行，尤其板式的約束。 在其點板符號中，「、」是撩也是板，視樂曲板式而定；在一板三撩的板式中，頭撩、尾撩共用「、」，中撩則以不同的符號作區隔。北管的撩後符號，可作「副點」或「切分音」記法，正確的掌握運用有賴於樂師的經驗。 ………………………………….. 影音選自《北管牌子音樂曲集》 指 導：行政院文化建設委員會 出 版 者：國立傳統藝術中心籌備處 編 著 者：邱火榮 · 邱 婷 執行製作：亂彈嬌北管劇團 出版日期：2000年12月25日 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Ba Ban Tou"《八板头》 ● "Da Ba Ban"《大八板》 ● "Jiangnan Da Ba Ban"《江南大八板》 ● "Si Ban"《四板》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《八板头》《大八板》等 More information: 🤍 🤍 🤍 🤍 🤍
This located at YILAN county,Toucheng Township,Binhai Road TAIWAN.This is also a tourist spots see the beautiful Trial park and interesting rocks formation viewing island.
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Si Bian Jing"《四边静》 ● "Bai Jia Chun"《百家春》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《四边静》《百家春》 More information: 🤍 🤍 🤍 🤍 🤍
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Bai Quan Tu"《百全图》 ● "Shang Xiao Lou"《上小楼》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《百全图》《上小楼》 More information: 🤍 🤍 🤍 🤍 🤍
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Shang Yueguang"《赏月光》 ● "Yi Zhi Xiang"《一枝香》 ● "Jin Bu Huan"《金不换》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《赏月光》《一枝香》《金不换》 More information: 🤍 🤍 🤍 🤍 🤍
A performance of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, performed by a 9-member ensemble from the Quangang Beiguan Heritage Protection Center (Chinese: Quangang Beiguan Chuancheng Baohu Zhongxin, 泉港北管传承保护中心). The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. The titles of the pieces performed here are as follows: ● "Xia Shan Hu"《下山虎》 ● "Shi Xiangsi"《拾相思》 ● "Qing Chuan"《清串》 ● "Renxin Chuan"《仁心串》 Probably filmed in a concert hall in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, perhaps c. 2015. This video is probably part of a DVD that was released in China, perhaps c. 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 闽台北管音乐《下山虎》《拾相思》等 More information: 🤍 🤍 🤍 🤍 🤍
#邱婷聲聲世世 #2016傳藝金曲獎 #北管Beiguan 邱婷Chiu, Ting -出身北管亂彈世家 -人間國寶邱火榮及潘玉嬌之女 -亂彈嬌北管劇團 · 製作人 ………………………………….. 《秦瓊倒銅旗》是台灣亂彈中一齣花雅兼蓄、板腔與曲牌混唱的戲， 正是戲曲發展史上亂彈與崑腔「兩下鍋」的史實。 製作人邱婷從其父祖及自身的調查研究得知， 此戲早在傳入台灣前即以崑曲聯套的形式演出， 場面火熾、聲勢浩大，甚至連道教正一派的科儀 「禁壇」都以此作為五方結界的主軸。 《倒旗》屬嗩吶吹唱套曲，共四支曲牌，〈醉花陰〉為其一。 曲譜為人間國寶邱火榮所傳。 ………………………………………… 《山河氣韻 · 聲聲世世》雙CD專輯 Voices of Bei-Guan Opera in Taiwan 2016榮獲傳藝金曲獎 · 最佳傳統音樂專輯獎 LIVE · 未經重製的現場演唱 壹、北管亂彈 貳、璀璨花部 北管 · 倒旗套曲 製作演唱：邱 婷 嗩 吶：鄭榮興 司 鼓：蔡晏榕 後 場：苗栗陳家班北管八音團 錄製時間：2015.7.5（日） 晚上7:30 演出地點：台北市台泥大樓士敏廳 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】 🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 版權所有 欲購完整演出CD，請私訊「邱婷戲話」臉書專頁 🤍
An informal rendition of "Si Da Jing"《四大景》, a song in the repertoire of beiguan (Hokkien: pak-koán; 北管), also called Quanzhou beiguan (Hokkien: Choân-chiu pak-koán, 泉州北管), a traditional musical genre from Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, using gongche notation (Chinese: gongche pu, 工尺谱) syllables in place of lyrics. The senior beiguan master (on the left) is Mr. Zhuang Huayu (庄华玉, born c. 1927). The name of the younger performer on the right is, unfortunately, unknown. The repertoire of Quanzhou beiguan is said to have been introduced to southern Fujian by merchants and refugees from the Jianghuai region (江淮地区) of China (the alluvial plain lying between the Yangtze and Huai Rivers, encompassing Jiangsu, central and southern Anhui, and southern Henan) during the Qing Dynasty, most notably in the early years of the reign of the Guangxu Emperor (i.e., the early 1880s). In Chinese, beiguan (北管) literally means "northern pipe(s)," in reference to this tradition's origin approximately 1,000 km to the north of Quanzhou. Probably filmed in Quangang District (泉港区), Quanzhou (泉州市), southern Fujian province (福建省), southeast China, c. March 9, 2015. In approximately 2005 the tradition of Quanzhou beiguan was included in the First Batch of the Fujian Province Province-Level List of Intangible Cultural Heritage Masterpieces (福建省第一批省级非物质文化遗产代表作名录). Additionally, in 2006 the tradition of Quanzhou beiguan, centering on Quanzhou (泉州市), southern Fujian province (福建省), southeast China, was included in the First Batch of 518 traditions inscribed in the National List of Intangible Cultural Heritage of China (第一批国家级非物质文化遗产名录) by China's Ministry of Culture (中华人民共和国文化部, known since March 2018 as the Ministry of Culture and Tourism, 中华人民共和国文化和旅游部). The sub-agencies responsible for maintaining these lists, both under the aegis of the aforementioned ministry, are the Department of Intangible Cultural Heritage (文化部非物质文化遗产司) and the China Intangible Cultural Heritage Protection Center (中国非物质文化遗产保护中心, CICHPC). 庄华玉传唱北管工尺谱 More information: 🤍 🤍 🤍 🤍 🤍 🤍 🤍
#人間國寶潘玉嬌 #亂彈嬌北管劇團 #亂彈Luantan 潘玉嬌 / 文化部授證人間國寶 · 國家非物質文化遺產（亂彈戲）保存者 Pan, Yu-Chiao, notable Luantan Opera artist, being honored as Luan Tan Jiao (亂彈嬌), exclusively known for her young male lead roles (xiao sheng小生). Pan was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with her significant achievements and influences in Luantan Opera (Xiqu戲曲) preservations, performances and education since the mid-twentieth century. ……………………………… 三位藝術家的七十風華精采再現 「七十風華」製作源起─ 向年逾七旬邱火榮老師致敬 並為兩位七十歲亂彈藝術家潘玉嬌、劉玉鶯祝壽 黃鶴樓/ 潘玉嬌代表作 集兩位日據時代小生之大成 享譽歌仔戲壇而被稱之為「亂彈嬌」 ……………………………… 2005《再現亂彈—北管藝人潘玉嬌、劉玉鶯七十風華》 周 瑜：潘玉嬌 頭 手 鼓：邱火榮 弦 吹：鄭榮興 製 作 人：邱 婷 演 出：亂彈嬌北管劇團 舞台設計：張 忘 演出日期：2005.5.23（一） 演出地點：台北市中山堂中正廳 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【邱婷 · 聲聲世世】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
#人間國寶邱火榮 #北管牌子 #北管教學Beiguan 邱火榮 / Chiu, Huo-Jung Major figure of Beiguan, was designated a “Living Human Treasure” and preserver of national Intangible Cultural Heritage (ICH) by the Taiwan Ministry of Culture in 2015 with his significant achievements and influences in Beiguan (Xiqu戲曲) music preservations, performances and education since the mid-twentieth century. 文化部授證人間國寶 · 國家非物質文化遺產（北管音樂）保存者 -唯一吹、拉、彈、打無一不精的後場藝師 -有戲曲界「八隻交椅坐透透」的讚譽 -投入戲曲舞台逾一甲子 -國內僅見跨京劇、亂彈、布袋戲、歌仔戲等劇種的第一人 ………………………………….. 【人間國寶邱火榮 · 牌子教學】古路/番竹馬介紹 北管嗩吶曲牌，凡用於戲曲舞台者，皆可用於排場演奏， 但一般演奏的曲牌不可任意用於戲齣。北管人都以「宮」， 又稱「間」作為曲牌單位，其體裁有聯套、單曲聯章、支曲等。 【番竹馬】是北管戲中番將酋奴官掛帥點兵時使用的曲牌， 如《金水橋》戲齣。 北管古路及新路皆有【番竹馬】，屬單曲聯章體裁， 由三個樂段組成，即母身、清、讚，如母帶子，北管人稱「三條宮」。 示範選段為古路【番竹馬】母身〔番竹馬〕。 ………………………………….. 影音選自《北管牌子音樂曲集》 指 導：行政院文化建設委員會 出 版 者：國立傳統藝術中心籌備處 編 著 者：邱火榮 · 邱 婷 執行製作：亂彈嬌北管劇團 出版日期：2000年12月25日 歡迎關注乾坤劇坊系列影音 【人間國寶邱火榮 · 北管教學】🤍 【人間國寶邱火榮 · 牌子教學】🤍 【人間國寶潘玉嬌 · 亂彈典藏】🤍 【亂彈嬌北管劇團 · 典藏】🤍 【邱婷 · 聲聲世世】🤍 【邱婷歌仔製作 · 典藏】🤍 【吟詩作對 · 歌仔調】🤍 【北管音樂劇】🤍 版權所有 「邱婷戲話」臉書專頁 🤍
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